Music Exams

All You Need To Know About Music Exams

Music Theory

Music Theory is so often neglected, and yet when I start teaching a new music theory pupil I see the missing pieces in his/her musical knowledge slot into place like a jigsaw. 
You can teach a child the various musical symbols on a page and expect him/her to apply them but unless there is a foundation of music theory in place there is no long lasting understanding.

Music Theory brings the various musical elements together in an organised way and gives your child a clear understanding of what you see on a page of music.

Some violin teachers do a few minutes of music theory at the end of a violin lesson. This is not ideal as it doesn't allow enough time to explain or demonstrate any of the theoretical elements in enough depth. Your child needs to do several written exercises to ensure each topic is understood clearly. 

I have several pupils who alternate lessons, one week violin the next week theory. This gives the child time (2 weeks) to do any theory homework I set along with the violin practice. This works well for older children, say 11yrs plus. For younger children 2 weeks can be too long between violin/theory lessons so I recommend weekly violin and theory lessons.

You may not be aware that your child cannot progress beyond ABRSM Grade 5 on the violin (or any instrument) without having achieved Grade 5 theory. 

In my experience it takes a child approximately 12 weekly theory lessons (30 mins each lesson) along with weekly homework tasks to complete each theory grade. That equates to 60 weeks - to reach grade 5 theory. If you take 37 weeks as the average number of teaching weeks in a school year you are looking at 18 months to achieve grade 5 theory.

My advice is to leave it no later than Grade 2 violin before putting regular music theory lessons in place.

Music theory can be a dry subject, but taught in the right way it can bring music alive and give your child the confidence he/she needs to interpret the music on the page. 

Click on the image below for some simple, fun interactive music games. They are great!

  • Try to organise some regular music theory input for your child especially if your child has reached Grade 2 or above
  • Avoid 10mins theory at the end of a violin lesson. It's not enough time to learn anything
  • Make music theory fun

 All You Need To Know About Music Exams

The graded music exams seem the best way to measure a child's progress. 

If you are a parent who doesn't have much contact with the violin teacher an exam is often the only way to gauge if your child is moving forward.

In the UK we have 2 popular examination boards. The Associated Board of the Royal Schools of Music, known as the ABRSM, and Trinity College London. The skills examined are similar for both boards.

The download below lists the exam requirements and marking systems for both Boards including the pre Grade 1 exam and Grades 1, 2 and 3. Print it off and go through it with your child before exam time so you both have a clear understanding of how the marks are allocated.

Click on the image to download

MY CHILD GETS VERY NERVOUS

Music exams don't suit all children. Some go to pieces in the exam room and end up with a much lower mark than they deserve and lose confidence as a result. I've had several pupils who fit that description and I explain to the parent that perhaps it would be better to do the exam preparation but not actually take the exam. 

Having prepared all the exam material to a high standard in lessons is enough to demonstrate his/her capabilities for that particular grade.

MY CHILD RESPONDS WELL TO A CHALLENGE

For other children, working towards an exam deadline will spur him/her on to work hard and produce his/her best in an exam environment. Some children feed off success and gain more and more confidence as they progress up the grades.

The decision to take exams or not is a personal choice which should be made between the pupil, parent and teacher.

WHAT WILL MY CHILD BE TESTED ON?

For the graded exams and Trinity Colleges Initial Test your child will be required to perform 3 pieces (with piano accompaniment). Play scales and arpeggios (finger exercises), sight read (play a short piece your child has never seen before), and demonstrate his/her listening skills, known as Aural tests. 

Trinity College London allow your child to choose two skills from the following four - Sight Reading, Aural, Improvisation and Musical Knowledge.

Each of these sections are marked separately and totalled up at the end. It's important that your child achieves in each of these sections to gain a good overall mark. Although a poor mark in one section can be saved by a particularly good mark in another section. 

I have included the breakdown of marks for each section in the download above.

Both the ABRSM and Trinity College have a pre Grade 1 exam designed to give your child an introduction to the Graded exams. 

Trinity College call this exam the Initial and mark use the same marking system as they do for the Graded exams. 

The ABRSM however call this exam the Prep Test and do not use any marking system. It's not a pass/fail exam and hence puts no pressure on your child. There is still a certificate given on the day with constructive comments from the examiner.

WHERE AND WHEN?

Music exams take place three times a year, Easter, Summer and Xmasso you will need to plan which exam period is best for your child. 

If he/she is on the cusp between exam periods you should consider whether it's best to push your child on a little and take the exam earlier or give your child that bit of extra time to perfect all the requirements, this runs the risk of your child getting bored of the pieces etc. 

It's an important decision and one which shouldn't be taken lightly. Discuss it with your child's violin teacher. Do take in to account any other exams your child might be taking at the same time to avoid your child feeling overwhelmed.

Exams will either take place at your child's school or at a local exam center. The violin teacher usually enters pupils for music exams.
  • Find out which exam board your child's teacher uses and see what the exam requirements are.  
  • Download the document above for full information
  • Consider if you feel violin exams would benefit your child or put him/her off
  • Know the exam session dates and decide with the teacher when would be best to go for the exam take into account other school pressures


Help Your Child Prepare For An Exam - Part 1 Pieces And Scales

Good exam preparation is essential. 

If your child has been entered for an exam it's a good idea to calculate how many weeks your child has left before the exam. You won't get the exact date and time until approximately 3 weeks for the exam but your child's teacher will know which week he/she has requested for his/her pupils exams.
Once you know how many weeks are left until the exam your child will soon begin to realize that time is limited and that maybe a little extra practice is worth doing.

HELP WITH PIECES

You can buy the CD which has all the exam pieces on it (excluding the alternative choices). This gives you and your child the opportunity to hear exactly how the exam pieces should be played. 

You could also go on Youtube and not only hear how the pieces are played but also see the performances. This is a very useful tip which I strongly recommend. I recommend Youtube as it's very helpful to see the piece performed as well as listen to it. The visual element helps with bowing and style.

MAKE SURE YOUR CHILD KNOWS THE SCALES AND ARPEGGIOS VERY WELL

The entire finger exercise requirements are listed in the scale book and also on the inside of the front or back cover of the pieces book. It's a good idea to help your child make what I call a 'scale pot' to help with the learning. Here's how to do it.
 
  • Check the list of scales and arpeggios your child has to prepare for the grade and calculate how many different exercises there are in total
  • Then take an A4 size piece of paper and cut it into the required number of pieces (total number of exercises). Each piece should be roughly the size of a raffle ticket
  • Write a scale/arpeggio name on each piece of paper
  • Fold up all the pieces of paper and put them into a dish/pot
  • Use it as a 'lucky dip' when your child practices - pull out 3/4 pieces of paper and get your child to play each one.
  • The aim of the game is to get them all right first time
This method introduces the element of unpredictability and is a very good test of how well your child knows his/her scales and arpeggios.

If your child doesn't get it right first time note how many attempts he/she takes to get it right. Aim to reduce the number of attempts during the exam preparation time. 

I have found this approach to be very successful. Give it a go and encourage your child to add it to the weekly practice routines.

I have prepared a support package for each of the grades 1, 2 and 3 focusing on the finger exercises, Sight Reading and Aural Tests which are often the weakest elements in an exam.

I have found that the published scale and arpeggio books (finger exercises) are visually rather unfriendly for a child to work from so I have simplified all the finger exercises into a unique easy to read format that your child can understand easily.

The Top Tips in the package also focus on how to improve your child's Sight Reading and Aural skills will give your child the extra boost he/she may need before the exam. These two elements are often neglected until the last minute but really need to be introduced as early as possible in the lead up to the exam. 
  • Work out how many remaining weeks your child has to prepare for the exam
  • Listen to your child's pieces on the CD or on Youtube to get hear exactly what your child is aiming for
  • Know the scales and arpeggios very well
  • Make a scale 'lucky dip' and use it every practice session
  • Know what to expect when it comes to sight reading and aural tests

Help Your Child Prepare For An Exam - Part 2 Sigh Reading & Aural Tests

Sight Reading and Aural Tests often get neglected until the last few weeks before the exam. 

If you have the time prior to the exam date it's a good idea to follow my Tops Tips below. 

Weekly violin lessons get eaten up so easily by pieces and scales that the Sight Reading and Aural tests often get left to the last minute. I'm giving you my Top Tips for sight reading to help your child get the best possible mark for this element.

Here are the essential Sight Reading Top Tips to help get your child in shape before the exam date

Grade 1 ABRSM - D or A major. This means that the 4 bar sight reading will be based on the finger shape of either D or A major Scales. 2 #'s (two sharps) = D major, 3#'s (three sharps) = A major

Grade 1 Trinity College - Same as ABRSM but with the addition of G major 1# (one sharp)

Grade 2 ABRSM - G, D, A major or E natural minor Scales. Sight Reading 4 bars long.

 1 # (one sharp) = G major, 2 #'s (two sharps) = D major, 3 #'s (three sharps) = A major. E natural minor
 will have 1 # in the key signature but will show some D #'s as accidentals in the piece.

Grade 2 Trinity College - Same as ABRSM excluding the E natural minor key

Grade 3 ABRSM - G, D, A C, F, B flat majors and A, D G minor Scales. Sight Reading 8 bars long.

I have listed the #'s for G, D and A major Scales in the Grade 2 section above. Here are the keys which are additional for Grade 3:

C major (no sharps or flats) - beware of finger 2 on the D and A string (must touch finger 1!)
F major = B flats (pull finger 1 back on A and E strings)
B flat major = B flats and E flats (pull finger 1 back on D, A and E strings)
A minor = no sharps or flats in key signature but G# will appear as an accidental
D minor = B flats. Note that C#'s will appear as accidentals
G minor = B flats and E flats. Note that F#'s will appear as accidentals.

Grade 3 Trinity College - Same as ABRSM but excludes G minor, F major and B flat major

These scales along with their sharps and flats need to be memorised.

Your Child needs to know how to match the key signature with the scale.

This gives your child the finger shape needed to play the sight reading piece correctly.

Once your child has established the key/scale the piece is in, I suggest the following steps:

Check the time signature...know how many beats there are in a bar?
Tap out any rhythmic bars which look challenging
Look at the louds and softs..(dynamics)
Notice note patterns, for example do they go up/down 1 step at a time?  
Are there any bars which look similar? 
Are there any consecutive repeated notes?
Check the bowing. Look for slurs, do the bowing the air if necessary to establish the pattern of the piece.

My TOP TIP though is get your child in the habit of playing or plucking the scale which the piece is based on in the 30 seconds allowed before performing the Sight Reading. 

This gives your child the best chance of placing the fingers correctly and playing the right notes. 

Note that your child will need to know the above steps very well. 

The only way to make commit these steps to memory is by practising them as often as you can during practice sessions. 

Take some time if you can to encourage your child to follow and learn the above steps. It will make a huge difference to the mark gained for the Sight Reading element.

AURAL TESTS

These tests are all about listening skills. For example:

Being able to listen to the examiner play a rhythm and then clap it back.

Being able to listen to a short melody played on the piano and sing it back.

Being able listen to a short piece of music and decide what the time signature is.

Some children find it very hard to sing in tune. They just can't hear the notes and pitch them. If this is the case with your child it's a good idea to just focus on 1 note and ask him/her to sing it back. Once this improves then move to 2 notes. You can use the D or A strings to start off with. Try to build them up to being able to sing 4 or 5 notes one after the other correctly.

Both the ABRSM and Trinity College publish an Aural Test CD. It's worth buying them to help improve your child's Aural skills. 

You can also click on the image below to get online help with aural tests.
  • Try to ensure that adequate time is given to sight reading and aural tests prior to an exam. Don't leave it until the last minute!
  • Make sure that your child knows which sharps and flats may appear in the sight reading test for the exam
  • Get in the habit of playing the scale that the key signature shows in the short preparation time
  • Slowly build up your child's observations skills to encompass not only the notes and rhythm but also dynamics, recurring patterns and bowing
  • Get your child singing in tune and confidently by building him/her up 1 note at a time.
  • Check out the Aural test link above for extra help

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